Sunday, December 21, 2008

Merry Something!

It seems everytime I move my writing tends to take a backseat to life as it happens. Well I finally found a new apartment last week and I'll be moving in by the first of January, so hopefully things will settle down a bit and my posting on this blog will become a little more regular. As for today, I just wanted to jot down a few quick notes before grabbing some breakfast at Shitty's

1. Kate leaves for Maui tomorrow, and while making her a mix cd it occurred to me that I need to start finding more new music. There are cobwebs forming on the shelves and in the corners of my dreary Ipod Library.

2. Super Mario Galaxy is the best 3-D platform game I have every played in my entire life. Every adventure Mario has ever had seems to have been building towards this epic flight through the cosmos. Kate and I play it together every chance we get. It makes me feel like a kid on my NES again. Pure joy. 

3. Sin & Punishment: Successor to the Earth for the Wii's Virtual Console is a must-buy. I was an N64 gamer and remembered eyeing strange import games like this in magazines like Electronic Gaming Monthly and Gamepro, crushed that I'd never have access to them. Thank you so much to Treasure for re-releasing this lost classic. Sin and Punishment is the swan-song to the N64, and even seven years old, it still has a lot to offer purely from a gameplay and story perspective. Fans of Gunstar Heroes, Radiant Silvergun, and Ikaruga take note: Sin & Punishment is your new favorite game. I can't wait until the sequel comes out for the Wii in 2009! Check out the trailer below:



4. Bill Willingham's Vertigo series Fables is much better than I initially gave it credit for. I still have my reservations about the art, but Willingham's scripts are perfect, and have managed to completely drawn me into the fantastic struggle between the residents of Fabletown and the forces of the Adversary. I'm currently halfway through Volume 3: Storybook Love, and have taken the next four volumes out from the public library to read over the holidays. We'll see how it takes for me to start reading the spin-off series: Jack of the Tales.

5. Atlantis Coffee, the coffee shop where I work in downtown Regina, has finally fixed whatever was wrong with the stereo system. Translation: we can now play our own music at work again. Fuck yes!

6. In case I don't get the opportunity to say this before the day arrives: Merry Christmas and Happy Holidays!



Sunday, December 14, 2008

Wii Cosplay

In late 2006, a cute little game from Japan stole my heart and had my thumbs red and throbbing from too many PS2 analog stick workouts. That game was Katamari Damacy, and it blew my mind. Less than a year later, that game's sequel, We Heart Katamari, arrived in North America to massive acclaim and became an overnight sensation. And with good reason: We Heart Katamari was every bit as fun and addictive as its predecessor, only with widely expanded environments, new challenges, rewards, and an even more ridiculous premise. With the exceptions of Killer 7 , Okami, and Shadow of the ColossusWe Heart Katamari was my favorite game of 2007. And for some inexplicable reason, I couldn't help but want to find out if any enterprising otaku had gone out of their way to dress up for some Katamari Cosplay fun. 

Now would probably be the best time to mention that I'm not a cosplayer. I didn't even dress up for Halloween this year. Sure, I admire well done recreations of my favorite video game and anime characters as much as the next fanboy. At the same time, I also find that the whole cosplay phenomenon ranges from utterly ridiculous at best, and vomit inducing at its worst. Mostly,  I think my problem with cosplay lies with the legions of aesthetically challenged nerds and the disgusting amount of awful mainstream fan-favorite franchise cosplay. How much Final Fantasy 7 or Street Fighter cosplay do we really need to see?  This is the kind of cosplay that makes my stomach retch and bursts my eyes in their molten sockets.

Yesterday the thought had occurred to me whether or not any Nintendo fans had started cosplaying as characters from Wii titles. What about dressing up as Wiis themselves? Wii remotes? Well, I did some looking around with Google and this is what I managed to find. 

The Wii-Motes 

Apparently, dressing up like the Wii remote is becoming a huge phenomenon at the cosplay conventions. Sadly, the Nunchuck attachment is sorely underrepresented. You'd think more couples would make the Nunchuck to Wii-mote connection. Ugh, bad controller pun.


























"Dude, where is the A Button on that Wii remote costume?" 

"Duuuuude, MY FACE IS THE A BUTTON!" 



























This girl gains points for actually having a Nunchuck attached to her giant pill-shaped Wii-mote, but is disqualified because her Nunchuck looks like a vibrator.  



























The Super Nintendo gets all the love by being front and center in this photo, but then, the SNES IS LOVE, so it's only appropriate to be in the foreground. Also, I love that cosplaying as an SNES controller is a two-person job; brings a whole new-meaning to co-op gameplay. 


































This Wii remote would be so much more badass if it weren't wearing tennis shoes. 


Miis

Sure, the whole point of Nintendo's cute avatar creator is to allow you and all your friends to see cartoon versions of yourselves on the Wii. What can't be denied however, is that the Miis have an instantly recongizable aesthetic that is uniquely all their own, and we can thank the good people at Nintendo for that.
























































Blue Mii: "Ahhhh. I took too much man! I took too much! I'm FREAKING OUT here bro and my head feels like a giant balloon!"

Green Mii: "Relax Blue, it's just the acid."

No More Heroes

Suda 51's latest oddball opus is a an instant cult classic. The game seamlessly blends the punk cinematic sensibilities of Takashi Miike, endless streams of blood, too-cool dialogue, ridiculous mini-games, and a lovable sicko named Travis Touchdown for a hero. Proving that the Wii is not just a console for kids or the casual gamer, No More Heroes takes most of what made Killer 7  (Suda 51's previous game) an unforgettable experience, and then gears it towards a more mainstream, though no less adult, audience. Here are some examples I found of great No More Heroes cosplay. 












































































Samus "Shoot Your Dick Off with My Arm Cannon and then Step on the Squishy Remains of Your Tiny Cock With My Chozo Suit Boots" Aran

Seriously. Let this be an example to you aspiring cosplayers: this is a fan-created costume done right. 














































































































Fuck yeah..


Saturday, December 13, 2008

General Life Updates

I've had several false starts on getting another post updated here over the past few days. So, rather than dwell on anything in particular, I decided to just touch on a few of the things that have been on my mind lately.

Kate leaves with her family for their Christmas vacation in Maui on the 22nd. I'm going to miss her like crazy, but thankfully, I've got several shiny distractions to surround myself with while she's gone to keep the loneliness at bay. My newly-purchased Nintendo Wii, for one. Actually, that might just enhance my feelings of loneliness. Heh. Oh well. She'll only be gone for 2 1/2 weeks, and in that time, I've got Wii Sports, Super Mario Galaxy, Metroid Prime 3: Corruption, and No More Heroes to keep my company. Oh yeah, and my sister is coming home too. So, I guess I've got family to spend time with too. Maybe.

I'm keeping my fingers tightly crossed that everything will turn out fine and that I'll be able to move into my new apartment on Jan. 1st. Everything seems to be in order, but I'm trying not to get my hopes up too high, in case anything unforeseen should happen to fuck it all up. There seems to be a lot of vacancies in the building I'm moving into, as the rent is due on a month-to-month basis, but I'm completely enthralled with the apartment I'm about to rent and would have to hate to take something else instead.

Speaking of fucking things up: never ever live with "old friends." If you had a falling out in the past, there was probably a reason why. Recently, I've had to learn this the hard way. After moving back to Regina last January, I reconnected with such an "old friend" and we started hanging out again. Around August of this year, my friend and his girlfriend had split up, and he needed a roommate to help split the cost of the rent. I was looking for a place to live, and decided to help him out by moving in. A mutually beneficial arrangement, I figured. Move in with an old pal of mine who needed help out of a bind: what could go wrong?

Well, that roommate quickly turned from friend to passive-aggressive piece of shit who bought a dog without ever seriously sitting down to discuss it with me. A fact made even more irritating because I am not a dog person, nor am I the kind of person who is willing to take care of someone else's neglected animal while they go out and leave the poor thing locked up in it's cage all day. Anyways, all that is mostly water under the bridge as far as I'm concerned, because I moved out at the end of November and couldn't be happier. The only thing remaining from that whole debacle, is the return of my damage deposit.

I recently emailed my ex-roommate in regards to the status of that lingering deposit return. To which he replied that apparently some things of his "went missing" when I moved out, which is just totally fucking ridiculous! Not that you anonymous readers in Internet Land care, but of the many things I am, I am not a thief. Personally, I think this is a ploy and the piece of shit is just stalling because he's lacking in funds or something, but holy shit, NEVER AGAIN will I move in with an "old friend" I've previously broken off ties with.

Anyways, that's enough life stuff for now. More soon!

Saturday, December 06, 2008

One Last Goodbye to Bags and Boards

Well, it's been two months now since I said fuck you to my LCS and decided to stop buying single issue comics every week. And how does it feel? It feels fucking great! Do I miss getting regular issues of The Boys, The Sword, Savage Dragon, Glamourpuss, or RASL (when it decides to hit the shelves every three months or so)? Of course I do. Did I feel left out when the masses discovered that Dr. Simon Hurt was actually The Devil, proving once and for all that Grant Morrison's Batman run really is just a steaming pile of overhyped bat-shit-crazyness? Well, my sarcasm gives the answer to that one away (unless you're immune to sarcasm, in which case I am so sorry for you).

By my very nature, I am a collector. And the thought of having each and every issue of a new series like The Sword that I can collect right from the beginning is very appealing to the completist in me. The truth is though, that I'd rather have a complete, numbered set of trade paperbacks (ie: graphic novels, yo!) than have to hunt for missing issues due to late shipments, unreliable salespersons, or any other way that I might manage to miss a single issue, thereby leaving a gaping hole in my quaint collection. I'm not alone: the annual sales records of trade paperbacks versus those of single issue comics speak for themselves.

So where does that leave the comics industry? When you can go to any major bookseller or local comic shop and purchase an imported Manga volume, with a length of roughly 150 pages, for around $10-15, why should anyone other than the hopelessly devoted buy a 22-page comic for 3.99? Manga sales have seemed to plateau lately, as opposed to their meteoric rise a few years ago, but they're still more popular with kids and adults alike than the comics being made by Marvel or DC/Vertigo, and smaller indie publishers such as Image, Devil's Due, IDW, Radical, and Dynamite. Vertigo, Image, and to a lesser extent IDW, have all managed to distinguish themselves from The Big Two in various ways. This, I believe, is what will keep these publishers from going bankrupt, if and when the superhero genre is either laid to rest, or turned into something more similar to stereotypical Manga. And with both Batman and the X-Men being made already making their appearances in officially-licensed Manga, I think it's safe to say that this transition of formats from traditional North American superhero comics into Manga-styled comics is already happening.

Independent publishers such as Drawn & Quarterly and Fantagraphics Books have showcased, with popular and unique anthology collections like Mome!, America's Best Comics, or The Acme Novelty Library, that people looking for more overtly intellectual, artistic, or alternative comics will pay a premium for what they perceive as a higher quality product. Personally, I have a harder time paying money for these Anthologies, if only because I'm not likely to reread them as often as I feel like I should if I'm paying a high price for them. Which is why, for a budget conscious consumer like myself, trade paperbacks and Manga are great! When I can buy every volume of The Walking Dead or Invincible for roughly $10.00 each, why would I ever want to go back to paying 3.99 or 2.99 per issue? Financially, there is just no good reason to buy single issue comics.

I've probably already touched on more topics in this post than I intended to, making this a lot less coherent in the process, but I'd like to take the time to say thank you to Comic Readers, my former local comic shop, for setting me free from the tyranny of buying single issues. I'm much happier with my library-loaned trade paperback volumes of Y: The Last Man and Fables, than I ever could be with an incomplete set of issues.

Que sera, sera.

Sunday, November 30, 2008

Picking Apart My Process: Part II

Well, it's back to business here at Hyperbolic Attack!. It's been a week since I've really done any substantial writing on this site, and the nagging desire to write has been gnawing on the back of my brain like a little demon- berating me for my procrastination and clawing at my conscience with claws of self-doubt. I feel a burning need to write, and it's more than a common rash or an itch, swollen red, oozing, and irritated. 

Writing is an addiction. Stop writing altogether, and the absence of scratching that maddening itch will cause the bugs to start crawling under your skin in no time. Sheer circumstance has kept me from writing this week. I've been busy packing my things and moving them into a temporary storage shed which I peruse the Leader Post looking for single bedroom apartments. All the same, I'm the only one there is to blame for not keeping my notebook in the back pocket of my jeans all this week. I should have been scrawling down tiny notes to myself during brief moments of reprieve in the men's washroom at work, as per my usual habit.

The last time I wrote on the subject of writing specifically, I was infatuated with this idea of writing a 90-page illustrated novella. I'm happy to say that, more or less, that idea still excites me and I'm finally taking steps, albeit small ones, towards making that goal corporeal. What has changed since the last time I wrote about, well, writing, is the subject of my intended story. I should have known better, really, than to get so excited by a sudden burst of creativity, but it's hard not to be carried away by a new idea when inspiration strikes. Most of the ideas I plan on turning into actual pieces of writing tend to be stories that have been rolling around in my head for years, like well-weathered stones in a rock tumbler waiting to become diamonds. Hah. Well maybe not diamonds, but some sort of polished rock anyways! So, to make a long story short, the modern vs. old world romance/boy meets girl via personal ads story is probably not going to see the light of day anytime soon. Which, in the end, is probably for the best. 

The idea of authoring an illustrated story appeals to me in a big way. I'm talking CAPS LOCK BIG. Even, Italicized BIG! But when I say illustrated story: I mean that specifically. Not comics, and not their pretentious bastard cousin- the "graphic novel." I'm acutely wary of diving headfirst into the craft of comics, the medium of Sequential Art is full of it's own professionals and amateurs alike, but I've always been enthralled by books which used pictures to aid the story's within. When I was a child, I was in love with the work of English illustrator Quentin Blake, whose imaginative drawings filled the pages of Roald Dahl's children's classics. Later, as a teenager just discovering the literature that would come to dominate my early adult reading habits, the comical felt-pen sketches of Kurt Vonnegut Jr. in Breakfast of Champions evoked that same sense of curious wonder and humor I saw in Blake's artistic accompaniments to Dahl's text.  Though anything I'd wind up writing will probably have more drawings in it than Breakfast of Champions of The BFG, the marriage of images and text to create a partnership beyond that of the comic book interests me greatly. Whatever shape my story takes in subject matter, I think it's fair to suggest that I'd like no less than a third of that story to be told in pictures. 

I don't think it's a coincidence that The Curious Sofa: A Pornographic work by Ogred Weary is counted among the favorites on my bookshelf.

More on my writing process soon! 

Thursday, November 27, 2008

Moving!

I apologize for the lack of posts this week, but I'm currently in the process of moving. Not to a new city or anything, just to my parents place while I search for a new apartment. New posts will resume as usual later on this week. I'll probably have something to say either tomorrow or on Monday night. In the meantime, I'm currently growing a beard! I'll be tracking the process of my beard growth via daily photographs, and after a month or so I'm thinking of posting them all in sequence. It's an experiment that's neat and banal at the same time!

Anyways, I've got stuff to pack so I'd better jet!


Tuesday, November 25, 2008

I Heart Threadless!

For the past three years I've been a fan and supporter of Threadless' customized apparel. Sure, some of the designs often fall into the trap of being  overly cute, bland, or hipster baiting (ie: pretentious and weird for the sake of weird), but many of them are genuinely beautiful. And how can you not like having 7 new shirts from aspiring artists to choose from each and every week? Well maybe you can but I can't! I'm a hopeless t-shirt whore through and through. 

If you've never been to Threadless.com, now is definitely the time to take a look at their selection of t-shirts and related apparel. They're currently having a sale with items selling for as low as $5! I know this sounds like a cheap ass advertisement, but seriously. I know where I'm doing at least some of my Christmas shopping this season. Matter of fact, I just placed an order a few minutes ago. Stocks of Threadless shirts are always limited, and it's not often when old designs are resurrected, so if you see something you like, don't hesitate to snatch it up before it's out in your size. 

Friday, November 21, 2008

Uppercut: the Evolution of Punch-Out!

In response to Nintendo's announcement that Punch-Out! will be arriving on the Wii sometime in 2008, here's a collection of videos documenting the evolution of one of my all-time favorite video game series. Personally, I'm keeping my fingers crossed that some of the classic characters from previous incarnations of Punch-Out! will return in this latest game. Bald Bull and King Hippo: I'm looking at you guys.

Let's start with the new trailer. This is the world's first glimpse at Punch-Out for the Wii, first premiered at the 2008 Tokyo Game Show:


Man, just hearing that classic theme music gets my heart-racing. 

Way before the time of the NES, there was an arcade version of Punch Out. The profile picture of Little Mac on the right side of the screen looks kinda fucked. He's a lot older than he appears in his NES incarnation, and what's with the green hair? Was Little Mac originally supposed to be Irish? Those are questions I bet not even N-master Shigeru Miyamato could answer:


Little Mac's first big fight on the NES came in the form of the critical and commercial smash hit, Mike Tyson's Punch-Out!:



In order to avoid the potential controversy of publishing a boxing game starring a convicted rapist and renowned ear-biter, Nintendo quickly changed the title to just plain Punch-Out!, and subsequently removed Tyson's likeness from the game. Funny side note: Soda Popinski, the boxer seen below, was originally named Vodka Drunkenski in the Japanese version of the game: 



And last but not least, my favorite installment of the Punch-Out series- Super Punch Out! for the Super NES:



Fuck, I can't wait for Punch-Out on the Wii!

Wednesday, November 19, 2008

Ahem..I Finally Have Something Good to Say About Gerard Way


The Umbrella Academy: Apocalypse Suite is a f&$%ing kick ass comic book!

There, I said it. 

Finally, after about a year of this hit mini-series hitting the shelves, I've come to my senses and gotten over my preconceived assumptions. It took me over a year to read the My Chemical Romance frontman Gerard Way's first foray into superhero comics, and I'm ashamed to say I was a fool for ever denying it. The Umbrella Academy is an unparalleled success: a truly original comic full of pulpy, delirious surrealism, bold, inventive ideas, and a visual aesthetic, courtesy of artist Gabriel Ba, which combines the spooky and silly into a surreal kaleidoscope of gothic superheroism. 

Let me take this opportunity to apologize for purposely avoiding this excellent comic because of my feelings towards My Chemical Romance.  It's no secret that I am not a fan of that particular band, their fans, or the waves of death-obsessed pop-rock imitators which have followed in their wake. However, regardless of how you might feel about My Chemical Romance, It would do The Umbrella Academy: Apocalypse Suite a huge injustice to judge it in advance because of the author's connection to anything other than this impressive comic book debut from a visionary new comic scribe. 

The plot is familiar, but it's in the telling that The Umbrella Academy stands out among the legions of team books out there. An inexplicable event occurs, and in a single moment dozens of specially gifted children are born to mothers who weren't previously pregnant. Most of the babies are either left to die or are abandoned, and in steps wealthy philanthropist Sir Reginald  Hargreeves aka The Monocle. Hargreeves announces to the world that he is training the children to "save the world, of course!" And then, nothing is heard again from the mysterious Umbrella Academy. That is, until the superpowered tykes defend Paris from an anthropomorphized Eiffel Tower on a murderous rampage. After trumping the homicidal tower, the book jumps 20 years ahead into the future as the now-estranged children gather to face the funeral of their adopted father, and a masked madman who wants to bring about the end of the world with a symphony orchestra of doom. 

Wait..come again?

Yes. This is where The Umbrella Academy gets weird. Really weird. Grant Morrison's Doom Patrol weird. In fact, Morrison writes the intro to Apocalypse Suite. Gerard Way lists the so-called "God of All Comics" as a major influence in his work, and it certainly shows. In fact the setting and title of The Umbrella Academy's first issue, "The Day The Eiffel Tower Went Berserk," is an indirect reference to the Doom Patrol story entitled, "The Painting that Ate Paris." The similarities don't stop there, but I'm not going to bore you with cross-references to a comic you probably haven't, but should, read. What about the characters? After all, what good is a superhero comic if you don't care about the colorful cast?

The Umbrella Academy is made up of the 7 children who Hargreeves adopted, and in a nod to the classic British sci-fi series The Prisoner, each of the children are numbered in order of importance. There is Number One, or Spaceboy: a man whose head was grafted onto the body of a giant ape; Kraken, a knife-fighting vigilante who can hold his breath underwater; The Rumor, who has the power to make things become true by spreading lies; Seance, a powerful medium who communicates with the dead; The Horror, who controls octopus-like tentacles; and finally The White Violin, a character who possesses no special ability until her transformation later midway through the mini-series. 

Take one look at the cover to Apocalypse Suite, and it's obvious that the art inside is going to be just as good. Artist Gabriel Ba is easily of my favorite new artists, and his work in The Umbrella Academy easily rivals his art for Matt Fraction's award-winning Casanova. Ba's work is fluid, perfectly conveying the dynamic sense of movement, melodrama, and cinematic design required by Way's script. Ba's figures are cartoonish and exaggerated, without losing any of the emotional depth or aforementioned melodrama appropriate to the story.  Granted, this is just a six-issue mini-series, with more adventures soon in the upcoming "Dallas" storyline, but for an all-too brief taste of things to come, Way and Ba inject their characters with a serious amount of pathos and generate a lot of mysteries yet to be explained and uncovered.

I could keeping going on and on about this surprisingly excellent comic book, but I'd rather you go out to your local comic book shop or bookstore and discover The Umbrella Academy's charms for yourself. 

Monday, November 17, 2008

Dogs & Water

The span of time that passes between the months of April and September will always hold a strange significance for me. Beginning in April 2004, just after my first year of university, I started going up north to spend my summers in Iqaluit, Nunavut. I'd arrive in mid-April to visit my family and work during the summer to pay off the past year's tuition fees. Then, when the school season began again in September, I'd return home to British Columbia. The end of each summer was like coming out of a strange, lucid dream that was already too steeped in memory to seem real anymore. Which brings me to Anders Nilsen's Ignatz award-winning graphic novel, "Dogs & Water."

The story, told in sparse detail with very minimal illustrations accompanying the text, is one of humanity, loneliness, and losing oneself in a search for meaning. A nameless man wanders down a lonely northern road with only a teddy bear strapped to his back to keep him company. Befriended by a pack of hungry dogs, the man and his teddy travel across a desolate northern landscape in a search for meaning. The only other characters the man comes across are either dead, dying, antagonistic, or ambivalent. They never speak a word of English, only unintelligible scribbles. There is no beginning to his journey, and no clear end in sight. The plot of the story itself, seems to be written in spite of clear beginnings and endings. As the main character says to his bear:

"You know...We're really not getting anywhere. Not that I'm complaining, I'm just...You know...Pointing it out as a fact. We haven't seen a car for about two weeks. Let alone flowers or trees or houses. It's getting colder every day. There's less and less plant life. My feet are sore. I guess. I guess. I mean, LOOK we could go on FOREVER and get NOWHERE."

This declaration is the first thing said in the book, and it clearly outlines that Dogs & Water is not going to be your typical story. There is no moral lesson. The main character doesn't learn anything about truth or the human experience. He is utterly alone. Aside from a single, solitary swimmer passing by, no one he meets speaks English. There is not a woman in sight, other than a mysterious seductress who comes to him in a dream, only to transform into a dog. It actually seems to me that his experiences themselves might entirely be the product of a dream. The man character might even be drowning, adrift at sea and experiencing the book's plot while struggling back to consciousness underneath cold Arctic waters. None of this is clearly stated, and Nilsen leaves it open to the reader to make their own interpretation. 

Nilsen perfectly captures to stark beauty and isolation of the Arctic , and for me, this is one of the book's most appealing aspects of the book. When I was in Iqaluit, I experienced some of the most realistic and intense dreams of my entire life; dreams that this book vividly reminds me of. Many authors I've read that tend to use the logic of dreams to propel a narrative forward, but take for granted that anything can happen in dream, losing any sense of seriousness in the process. Nilsen, on the other hand, uses the logic of dreams to form his narrative, and accentuate his story's themes. With art this good though, it's easy to just forget the narrative altogether and lose yourself in Nilsen's simple, evocative linework. 

If you're looking for a book to warm up to as the weather gets colder this November, Dogs & Water might not be what you need. However, if you'd like to wander into a wintry dream, then look no further than these pages. 

In case you're interested, check out my Flickr photostream here for some photos of Iqaluit, Nunavut taken in the summer of 2007.

Saturday, November 15, 2008

Time Breaks Down



Delays and more delays. Sorry about this but I want to do a decent job with this already past due review of Dogs & Water, so I'm going to spend more time with the actual writing of the piece. I know this is going to puff it up and create some sort of expectation, but really it's just my bad habit of over-analyzing things taking over. In any case, the review will be posted soon. I might even do a post of The Walking Dead Vol. 8, since it ended on such a brutal and uncertain note.

Last night Vancouver rockers Bend Sinister played a fantastic set at O'Hanlons, and if you were unable to catch them live, well, you missed out. The band's set was comprised mostly of material from their latest album, Stories of Brothers, Tales of Lovers, and they were kind enough to treat longtime fans such as myself with old favorites like "Through the Broken City" and "Time Breaks Down."  I'll eventually get around to reviewing the new album once I've given it a proper listening to. In the meantime, if you've never heard the band before, check out the video above for a brief taste. 

Friday, November 14, 2008

Walking on the Moon



Every few months I am overcome by the need to play video games. My mind completely shuts out my real priorities, and becomes invaded with visions of questing through Hyrule and the Mushroom Kingdom. As much as I've tried to rid myself of the desire to sit around and play videogames, it can't be helped. I'm no longer the fiercely addicted gamer that I used to be, but no matter how hard I try to give up on games, they keep pulling me back towards the Tv set. So long as they aren't Japanese rpgs; I've pretty much lost my taste for those entirely. My flash in the pan obsession with gaming doesn't usually last very long, but when it hits: I can kiss my social life goodbye.

In the last few weeks there have been several types of retro games that I've been wanting to play again. Last week I took a stroll down memory lane with the Sega Genesis Collection on the PS2. This however, just added fuel to the fire, leading me to download a massive Mac compatible torrent containing each and every Sega Genesis/Master System/32x game released in the North America. There are like 600 games in that torrent! A bit overwhelming, I'll admit. And mostly I've just been playing through Sonic the Hedgehog 2, Shadow Dancer, Altered Beast, and as much as I'd hate to admit it, Micheal Jackson's Moonwalker

This week, I've been thinking a lot about the ultimate NES classic: Super Mario 3. Just the mention of it makes me want to wrap my thumb around a d-pad and start kicking Koopa ass from start to finish. I've also been really wanting to get a couple people together for some classic Goldeneye deathmatches on the N64. I've got extremely fond memories of playing both of these games for hours on end, all through the night, bleary eyed until the sun rises. I've been itching to get my hands on those two games and experience that part of my youth again. Just the thought of having both of those titles readily available for direct purchase and download makes buying the Wii much more appealing thanks to the Virtual Console. This relates to a recent decision of mine that I'd like to buy a Wii, a decision I've been working over in my head for some time. That being said, I won't be Wii hunting for a while, especially considering Christmas is coming soon, which makes it a terrible time to waste money on myself. There are gifts to buy and a faltering economy to support dammit! 

Anyways. I just picked Volume 8: Made To Suffer of Robert Kirkman's kick-ass zombie comic The Walking Dead from the RPL so I'm going to cut this post short and go read that. Volume 7 ended on one hell of a cliffhanger, and I've been biting my nails waiting for my copy of Vol. 8 to arrive. Vancouver prog-rockers Bend Sinister are playing for free downtown at O'Hanlons tonight and it'll be nice to see them again. It's been over a year since the last time I saw them live in Kelowna. Oh yeah, my review of Anders Nilsen's Dogs & Water should be posted by tomorrow or Sunday, so keep an eye out for that!

Monday, November 10, 2008

A Minor Setback



Well, I've got some bad news and I've got some good news. First let's start with the bad: my Macbook adapter crapped out on me over the weekend. I called Applecare as soon as I was sure that it hadn't anything to do with the outlets in my apartment, and once they verified that it wasn't an issue with the battery in my laptop, they mailed me a new one. The replacement should arrive by the end of the week, I hope, but until then I'm without a constant supply of power to my Macbook, so these posts are going to be a little more sporadic than I'd like. Mostly I'm just upset because I really wanted to download an emulator this weekend and start playing the recently fan-translated rom of Mother 3, originally released only in Japan for the Gameboy Advance.

On the brighter side of things, I'm currently assisting with writing some scripts for a local television production company, which is a great opportunity that I'm happy to take advantage of, and it's for a show that I'm personally pretty excited about. The show is called InJustice, and it's a true crime series unlike any I've seen before: heavily stylized and very modern.

Over the weekend I read a graphic novel published by Drawn & Quarterly called Dogs And Water, which was written and illustrated by Anders Nilsen. I did some research and found that Dogs And Water won the prestigious Ignatz award in 2005, and with good reason: the book is a haunting examination of human isolation, dreams, and loneliness, and the book's austere, minimalist artwork is hauntingly beautiful. Despite it's relatively short length, and spartan aesthetic, it really stuck with me. I look forward to discussing it in greater detail later on this week. In the meantime, in case you're interested, you can sample some of Anders Nilsen's artwork by checking out his blog, The Monologuist

Saturday, November 08, 2008

Caturday Catstravaganza!

These videos have been circulating on Facebook and on YouTube for a while now, but I've intended to post them here ever since I started working on this blog again. They're the work of Regina-based filmmaker Eric Hill, also known by the alias of Videoheadboy. A friend of mine since high school, Eric has been slowly but surely building an idiosyncratic body of work, composed mostly of quirky short films shot in his spare time, and starring some of Regina's local actors and assorted oddballs. I've had the pleasure of being in a couple of his short films, and had a hand in kickstarting his series of "Cat" films, each featuring a stilted, animatronic cat we bought for a few dollars at Value Village.  The Cat has since appeared in several of his short films, featured alongside semi-notables such as American Beauty's Wes Bentley, and Canadian indie rockers The Constantines. I've posted them below in order of their original release date. 

Enjoy. 


Cat Taxidermy
directed by Eric Hill
concept by Eric Hill and Christian Llewellyn Hardy
starring Christian Llewellyn Hardy


Caturday Night Lights
directed by Eric Hill
concept by Eric Hill, Christian Hardy, and Ben Bates
starring Christian Hardy and Ben Bates



Catstantine's Roadies
directed by Eric Hill
concept by Eric Hill

Note: The Wes Bentley video was removed from YouTube. Probably because it contained a soundclip from American Beauty, but mostly because Wes Bentley was drugged out of his gourd and wearing a green-screen cube on his head at a party (per our request). Either way, it was funny stuff. Maybe the most beautiful thing in the world. Ah well. 

Friday, November 07, 2008

Hammerman


This is an example of why working in a coffee shop is great. You spend your time working with friends, basically just hanging out all day, pulling espresso shots, steaming milk, pouring coffee, in other words: business as usual. Eventually, at some point during an eight hour caffeine fueled shift, casual conversations begin to go in directions you'd never expect them to.  Today, it seemed that no matter how hard we tried, Mason and I could not shake the topic of cartoons whose concepts were so outlandish we thought we'd made them up ourselves. For example: Hammerman. Remember Hammerman? I do. If you were born sometime during the eighties, I bet you do too, and that's too bad, because it's a cartoon probably best left forgotten. If the concept of a cartoon starring MC Hammer wasn't enough to jog your memory, check out the video above.

To its credit, Hammerman did manage to bring the concept of a non-tokenized black superhero (I'm looking at you Black Vulcan) to Saturday morning cartoons almost a decade before Static Shock would debut on the WB. However, that doesn't change the fact that Hammerman was little more than an attempt to cash-in on the popularity of Hammer's #1 hit single "U Can't Touch This." Is there much more to Hammerman? Not really. the whole show was basically just a shallow marketing gimmick, which is probably why the series only lasted for thirteen episodes before it's cancellation.  All in all, Hammerman ranks as one of the weirdest cartoon concepts of the late eighties, along with Disney's Gummi Bears and Pro Stars, the Saturday morning smash hit featuring the crime fighting team of Wayzne Gretzky, Micheal Jordan, and Bo Jackson. 

Wednesday, November 05, 2008

A post about Dexter (and not about Obama, at all)


I've been spending the last hour or so trying to locate episodes of Dexter: Season 3 online, and so far, I haven't found a single full episode. This shouldn't irritate me, but it does because last summer I was a wiz at finding streaming tv online. Now it seems like ever since my last laptop crashed in December '07, and I lost all of my handy bookmarked tabs, I've fallen completely out of the loop when it comes to finding content to filch online. Well, except for when it comes to torrents. I'm pretty well informed when it comes to finding the right bittorrent site. Problem is,  I don't have enough hard drive space to download a torrent of the entire season so far! Argh. Ah well, I guess you can't have everything. 

Serves me right too, seeing as Kate hasn't seen the show yet, and I promised we'd watch it together. It's only really out of boredom, and an inability to find anything else to do, that I wanted to watch the first episode of Season 3 without her. If nothing more than to whet my appetite for the season to come after we watch Seasons 1 & 2 together. I did however, manage to find various clips and trailers, such as the one above, and if these won't service my anticipation, then nothing will. 

I feel like I'm forgetting something..

Oh yeah! Barack Obama won the election! Man, how did Dexter take precedence over news like that? Well, it doesn't really, but I'm neither a political science major nor an American. There are lots of people whose opinions on this sort of thing actually matter, and they'll definitely have more informed things to say on the subject. But while I am on the subject of the new President, I'll say this: I, like many others, felt a collective sigh of relief today. And yeah, I'm Canadian, but I still felt a wash of relief come over me when the thought occurred to me that finally Bush's Reign of Terror was over. And that may sound corny, but it's true. 

If only the stale cloud of conservatism could be lifted from this country. We were fools for letting Harper hold onto power in Parliament, even in a minority government. Although, without proportional representation, how can the electoral system really speak for Canadians at all? If the best we can ever hope for are Liberal or Conservative governments ad infinitum, then we've all been had and our so-called Democracy is a sham.  

I still reserve my right to be a skeptic about the influence Obama will have, in America and abroad. The world has become an increasingly hellish place over the past 8 years, and it would be naive to think that the replacement of one politician, and one political party in a two-party system, could change all of that. That being said, maybe things will change. It's entirely possible that the Iraq War, as well as our armed occupation (oh sorry, I meant "our mission") in Afghanistan, will end, that the climate of fear in Fortress North America will dissipate, that our governments will begin to invest more in the green shift, and we can all look forward to a brighter and greener tomorrow. I'm just not going to hold my breath waiting for it to happen.

Or maybe I'm just bitter because I've got the flu and I'm peeing out of my bum?


Tuesday, November 04, 2008

Americans & Elves


Well, it's a big day for the U.S. of A. Election Day. Will America vote in favor of the man who could be their first black President, or for another four years of conservative hegemony and imperialist foreign policy? We'll see. It's safe to say that I'm still bitter with how our election in Canada turned out, so as much as I'd like to see things change for our neighbors down below, I reserve the right to remain skeptical. 

If they do elect Obama though, it'll mean and sea change in American international relations. And seeing as Harper has directed so much of our foreign policy to agree with American interests, I think it'll be interesting to see whether or not he backpedals towards a more moderate conservatism. Either way, we're stuck with this sweater-wearing con man until either the Liberals or the NDP call another snap election. Oh, snap! 

Anywhoo.

I just returned from the library with the second volume of James Kochalka's daily sketchbook diary, American Elf. Since first discovering Kochalka's work last spring, I've been consistently enjoying every comic of his that I've been able to get my hands on, from SuperF***ers to Monkey Vs. Robot & The Crystal of Power. Since October 26, 1998, Kochalka has been drawing scenes from his daily life, depicted in small four-panel comic strips featuring himself as a magic elf boy. I'm pretty sure there are at least three collected volumes of American Elf available, and the webcomic, serialized on AmericanElf.com, has just celebrated it's 10th Anniversary. So, hurray! Hopefully he doesn't stop writing it anytime soon, because it's an excellent read, perfectly balanced between poignant tenderness, exuberant joy, cute rage, and occasional vulgarity. Okay, so that's a lot of elements to balance, but who cares, you can read it for free online! You like free things don't you? You're not weird, are you?

Thursday, October 30, 2008

"Tom Waits for No One"

I consider myself a serious fan of Tom Waits. His eccentric and eclectic take on jazz, blues, rock, mixed with his beatific vaudevillian theatricality has endeared him to me since I first discovered Rain Dogs at the tender, and impressionable, age of sixteen. When I first started broadening my teenage musical horizons, Tom Waits was among the first select group of artists to really grab my ears and give them something that they'd never heard before, wild, even a bit frightening. Other artists that fall into this category included The Pixies, Naked City, Boredoms, and The Locust. Pretty all over the place, really. Anyways, the point I'm trying to arrive at is that when I first started becoming exposed to these new and exciting musicians I wanted to know everything about them. And thanks to such sources as the All Music Guide, message boards, and informative user reviews on Amazon, I absorbed every piece of information I possibly could. These were the pre-Wikipedia days, and Google wasn't yet what it is today, and so finding a definitive list of a particular non-mainstream artist's accomplishments was, well, almost impossible. 

Keeping all this in mind, I still considered myself a know-it-all when it came to Tom Waits. So, imagine my surprise when I learned, totally by accident, that he had once starred in an animated music video! How did this slip by me?  It even won an Academy award for the animation techniques it employed. For a longtime fan like me, this was a serious discovery!

"Tom Waits For No One" was first filmed live at the La Brea stage in 1978, then later rotoscoped, an animation technique first developed by American animator Ralph Bakshi, and finally brought to life with hand-drawn animation. This is a lost classic; among the first animated music videos to debut, "Tom Waits For No One" perfectly managing to capture the beatific cool of Tom Waits in his jazzier, lovelorn, pre-Swordfishtrombones period. 

Enjoy.

Monday, October 27, 2008

Picking Apart My Process: Part I

Sometimes my head is so full of random ideas that the resulting feeling is like teetering over an abyss, falling slowly, then finding myself caught mid-air, in a breathable fluid that I could almost push my hands through to form a wave if only I had some sort of creative outlet to give shape to that rushing imaginary water. My ideas attack me, desperately crying for some sort of release. Most of the time, they're snuffed out by my own inactivity and procrastination before they ever get a chance to blossom beyond their basic concepts. On the other hand, some of my creative impulses need to be let go, as the subjects of my writing, and what I desire to write about, move further from the juvenile fantasies of my past, allowing room for more personal pieces to take root and gestate. Hopefully, these ideas will find life on a page, rather than just the messy Five Star notebook of my mind's eye.

This is an attempt to catch the creative process of my writing while the white hot lightbulb in my brain is burning most brightly.

Lately, I've been wrestling with a desire to be more ambitious. Part of that is because I want to make writing my life, or, make a living at writing. More than that though, a new need is coming from a place inside of me that wants to see myself create something tangible, a book of some kind, from start to finish. I don't want to write the next Great Canadian Novel. Absolutely not. But I do want to write. I need to write. And I need to, at some point, be able to see the printed fruits of my labors. And I haven't labored much at all over the last year. To take account of what I've written in the past, examine everything for what it was, or wasn't, worth, and build from there.

Conceptualization for this started with a simple idea: a book, roughly 90 pages in length, 45 character drawings and 45 written pages, detailing the appearances and classified desires of the people who post in newspaper personal ads. This came from an earlier attempt at a collaboration with an ex-girlfriend, a poet named Lila Zais, who was going to write page-long responses to a series of freely improvised pen and ink drawings I was busy making in Iqaluit, Nunavut. I completed a couple drawings for the project, maybe 3 or 4 in total, and one draft of a written response was finished, but nothing further ever came of the project or the idea that began it. After that relationship ended, I took a year-long hiatus from writing to rethink what it was I wanted to even write about. What could I say that someone else hadn't? Is there such a thing as originality? Or, is originality a vain attempt at what should be a matter of creating a new context in which to tell an eternal story? The reconfiguration of classic human archetypes to fit a new reality.

Personally, I believe the latter to be true. There are only so many stories to be told. However, there are SO MANY new ways you can tell them. Which brings me to my story. Initially, I didn't intend on having one. Technically speaking, since I haven't begun any of the writing of this, no story yet exists to tell. That said, I can say that when I first got the idea to begin work on what would be a major writing project, I didn't really intend there to be all that much writing involved. At the onset, my basic idea was to have a book where for every two pages one page would be a personal ad, either fictitious or actually lifted from a real newspaper. Using an actually published personal ad is legally questionable business, no doubt, but since most of these ads are so cliched to begin with I'll bet noone would ever notice in the finished project. I don't exactly expect this book will be remotely high profile. Anyways, getting back to the pages.

For every two pages, one will be a personal ad, and on the next, will be an illustration of the character who wrote the ad itself. Some of these wordsmiths will be degenerates, no doubt, and I expect that most people who are familiar with my drawing style are going to think that this is just going to be a crass art book full of trashy characters who post trashier personal ads. This isn't my intention. In fact, one thing I want to stress with the actual art of the book is that each character take on their own style: some realistic, some detailed, sketchy, vile, humorous, sad, sexy, etc. The style of the art should match the style of the character: this is something I intend to stress.

We all want to find love in this world: this I believe. These are just the people who pay by the letter to advertise it.

In the past week, since coming up with this central idea and mulling the concept over in my head, I have found what I think will be a story, told over the course of this semi-graphic novella. It's a story that recent events in my personal life have allowed me to tell, and I can't think of a better framework for this project.

The framework is: boy meets girl, boy is too timid to approach girl directly, boy advertises his affection in the local personal ads. Girl does the same.

Original, I know.

Click here to take a look at some older original artwork of mine.

Tuesday, October 21, 2008

Library Branches and Power Gloves

I'm hanging out at the Central branch of the Regina Public Library, knowing that I ought to be writing something substantial and meaningful, but, being too sleep deprived to come up with anything beyond the here and now, I'm just narrating my thoughts as they come to me. Novel idea, I know. Originally I came here in the hopes that some of my recent library holds had come in. Last week I learned that Kate had never seen either film in the Ghostbusters series (or even the cartoon, for that matter), and since it's the season for a good scaring, I placed both movies on hold. The fact that the library has such a wide selection is great for me because a) I'm trying to save money, and b) it allows me to watch some tv shows and films I can't even rent here in the city. It never ceases to amaze me just how great our catalogue is for such a small city. For instance, not only am I waiting on Ghostbusters 1 & 2, I'm also keeping my fingers crossed for copies of Dexter Seasons 1 & 2, the entire collection of Neon Genesis Evangelion, and all the episodes of Serial Experiments Lain. Who the hell works at this library that has such diverse and interesting taste? Whoever they are, I'm giving them a psychic high-five as I type this. Or at least I would, if my brain didn't hurt so much from lack of sleep and overconsumption of espresso.  

Mostly, since I came to the library only to find my holds never arrived, I've just been blowing off steam from work by watching videos of the Angry Nintendo Nerd. My friend & fellow barista Ben Bates recommended I watch his review of Top Gun, and ever since then, I've been gorging on these little odes to nerd rage. Sure, the anger part seems mostly an act, but watch this video review of the Power Glove and tell me that this ridiculous thing wouldn't make you throw a controller (or in this case, a fist) at your TV set. 


Remember that scene in the Fred Savage movie Wizard? After seeing that movie, there wasn't a kid I knew that didn't want a  Power Glove, but nobody's parents would buy it for them, and the kids whose parents were rich enough to spoil them with one were no friends of mine. And since that time, I never did get to try out Nintendo's early-Wii experiment. Now that I've seen this thing in action, I'm kinda glad I never got the opportunity in the first place. 



The Power Glove...'cause it's so bad. Frustratingly so. 

Monday, October 20, 2008

A Reassessment of Marnie Stern

I recently came across a review on Tiny Mix Tapes of virtuoso guitarist Marnie Stern's latest album, "This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That is That."  Phew. What a mouthful (mindful?). Anyways, moving on...Previously (ie: last year), I panned Marnie Stern's first album "In the Advance of the Broken Arm," perhaps unfairly, on the basis that I felt there just wasn't enough actual songwriting to sustain the record's 45 minutes of frantic fretboard wizardry. However, on reading about her new album, I couldn't help but feel that maybe I'd been too harsh on Ms. Stern. So, I decided to revisit her debut, while also digging into her latest disc.  And wow, was I ever wrong! 

I still stand by my opinion that her first album is partly a mess as far as the production values are concerned, but sweet damn are her licks hot! I'm also happy to say, "This Is It.." is every bit the improvement on it's predecessor. I haven't spent enough time with the album yet to justify a review, but I just thought I'd mention it, since both discs are definitely worth your ears attention. 

If you still require some convincing, coupled with some visual stimuli, just look below:



"Transformer" by Marnie Stern
from the Album "This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That Is That." 
Kill Rock Stars, 2008.

I'm pretty sure Marnie Stern is on tour right now. If you're lucky enough to catch her live show, you have my envy.

Saturday, October 18, 2008

Single Issue Comics | Should I Stay or Should I Go?

Oh the agony and ecstasy of being a bonafide nerd.

My weekly comic pull list has been getting increasingly out-of-control ever since I made th
e decision to start buying single issue comics again in September of 2007, a decision prompted by the recent drop in cover price on most comics due to the decline of the once mighty U.S. dollar. All of a sudden it seemed like the Loonie was actually worth something, and local comic shops across the country were forced to begin selling trade paperbacks, hardcovers, and single issue comics at the U.S. cover price if they intended to stay in business. Now, I'm not going to get into the economics of this, what this meant for the comic industry, U.S./Canadian trade relations, blah blah etcetera, but I am definitely sympathetic to the fact that this wasn't exactly welcome news to a lot of independent booksellers and comic shops, who have a hard enough time staying in business as it is. But keeping that in mind, I can't exaggerate enough just how great this was for us true believers: the monthly readers. 

Canadian comics fans like myself have been envious of the always-cheaper U.S. cover prices for a long time, and so, with the dollar up and comics becoming more affordable than ever before (in my lifetime, at least), I couldn't resist increasing the size of my weekly pull-list to unsustainable proportions.  It started innocently enough, with the first couple issues of The Boys, The Sword, and Warren Ellis's summer blockbuster mini-series, Black Summer. Then things got out of hand, and by September 2008, my monthly pull-list had swelled to at least 17 titles.

It was around this time that it became clear to me that some titles had to be let go. 

Below is a list of six monthly titles, three of which I've decided to continue collecting, three of those I've decided to drop. Generally speaking, these titles either deserve your immediate attention or your indifference. You be the judge. These are just short, succinct capsule reviews; I'll save the in-depth stuff for later. I'll be doing more of these capsule reviews in the near future, so time will only tell which of these comics I'll keep on reading. In any case, enough rambling, onto the reviews! 

Titles I'm Dropping.

Sorry, but these three titles just aren't cutting the mustard. Or, at least, they just don't appeal to me enough to warrant buying on a monthly basis with a thinning wallet. 

Manhunter, written by Marc Andreyko and illustrated by Michael Gaydos 

What hooked me: This critically-lauded but commercially underperforming title was on it's second (third?) reboot by the time I jumped in at #31, which promised to be both a fresh start for new readers and a continuation of what came before, in an attempt to appeal to new fans while placating those who had supported the title since it's inception. That, and his work in the Brian Micheal Bendis penned "Alias" placed illustrator Michael Gaydos in a category I reserve only for artists like David Mack. In any case, picking up Manhunter seemed like a good idea at the time. 

Why I'm dropping it: This most recent Manhunter reboot started out strong with an interesting and plot in which attorney-by-day, Manhunter-by-night Kate Spencer becomes fed up with the grinding frivolity of fighting costumed villains, and decides to take action in finding out what the hell is going on with all these missing women in Ciudad Juarez, Mexico, and why no one is doing anything to solve the deaths and disappearances of more than 370 women. This plot initially drew me in, but has been dragged out over the past five issues with no clear resolution in sight, a meaningless brawl with the Suicide Squad, and more sub-plots than I care to deal with in a title I only care for in a purely platonic way. Apparently, I'm not the only one bored to tears with Manhunter's electric baton/staff thing, as the title has recently been cancelled, again, and will be put to rest with Manhunter #38. 









The Invincible Iron Man, written by Matt Fraction and illustrated by Salvador Larocca

What hooked me: One word: Casanova. Matt Fraction's schizophrenic super-spy action-adventure is among the very best comics being printed today, so anything the man comes out with next is going to catch my attention. This title came hot off the heels of both the Iron Man movie, and Fraction's ill-fated first try at a new Marvel series, The Order, so I couldn't resist dropping some coin on a copy of the first issue of his Invincible Iron Man. 

Why I'm dropping it: First of all, Salvador Laroccas heavily photo-referenced "realistic" makes human beings look so greasy that I don't want to touch the already glossy pages. I've already showered once today Salvador, why do you insist on making me shower again? Secondly, this is a good Iron Man story, but that's just it, Fraction isn't just a good writer, he's a great writer! He could be the next big name in comics! Sorry, but good just doesn't cut it when it comes to Fraction, as far as I'm concerned, and his status quo Iron Man just can't sustain my interest or my desire to pay money for this. Next up: Iron Man vs. Spider Man! Yawn... Call me when Kang shows up to the party, or Joe Casey pens another Iron Man mini-series.













Gravel, written by Warren Ellis and Mike Wolfer, illustrated by Phil Jimenez 

What hooked me: More than any other working comic scribe in the business today, Warren Ellis is a writer who I feel I can trust. If I were to list many of my favorite titles of all time, and you'd find a great deal of them (Transmetropolitan, Planetary, et al) with his name on them. And for that reason alone, I buy pretty much everything new with his name on it. Also, Ellis' work for Avatar Press is generally less creatively restricted, and he's given a level of creative freedom which allows him to express highly controversial ideas that neither Marvel or DC would touch with a 60-foot pole (see: Black Summer). Time and time again, Ellis' wanton creative abandon has resulted in original works that push the boundaries of what can (and should) be conveyed in a funnybook. That is, until Gravel. 

Why I'm Dropping It: 
Once again I buy into a new series from a creator whose work I follow only to find that it doesn't quite live up to that creator's usual standards. 
Sorry, but there is just no way that "Combat Magician" Sgt. Major William Gravel even remotely measures up to previous Ellis character creations like Spider Jerusalem or Elijah Snow. That, I get a terrible feeling of deja vu with each issue of this comic. I'm sure Ellis will buck the trend and throw a creative curveball in here somewhere. But so far, the repetitive grind of Gravel vs. a string of weak-sauce sorcerers who pose no real threat to an unlikeable anti-hero is just, well, bollocks. Sorry Ellis. 









Titles I'll Keep Reading (To the Bitter End). 

The following three comics are, IMHO, among the best single issue comics being published in today's market. If you really trusted my opinion, you'd quit reading this and start picking up back-issues now. For those of you who need a little more convincing: proceed.

The Sword, written and illustrated by The Luna Brothers

What hooked me: The Sword is the story of Dara Brighton, a young paraplegic college
 student who life is destroyed when her family is murdered by a mysterious trio of demi-gods demanding the return of an ancient sword. Dara is left to die in the burning wreck of her family's home, until the floor collapses beneath her, and she finds herself in a room she never knew about, and a sword she'd never seen before. The Sword magically heals Dara's broken vertebrae, and she begins her quest for vengeance. 

Why I'll continue reading: The Luna Brothers first burst onto the comics scene illustrating Bendis' "Spider-Woman" mini-series for Marvel, but it was their creator-owned survival horror drama, Girls, that put The Luna Brothers on my radar. Girls was my favorite ongoing series of 2006 and 2007, so when the opportunity to start in at the very beginning of a brand new original series came along, I jumped at the chance. Issue #13 is on it's way, and The Sword has yet to disappoint. In fact, The Sword is promising to be The Luna Brothers best work to date: a dramatic and emotionally charged revenge story, and in my estimation, an examination of mankind's endless cycle of violence and hate. 













The Boys, written by Garth Ennis and illustrated by Darrick Robertson

What hooked me: Nevermind the premise, what really got me into this title was that it was so badass and edgy that the suits at DC Comics' upper management got hot under their collars and cancelled it, leading to a massive bidding war amongst the smaller comics publishers, resulting in what is probably a better book than it ever could have been under the watch of DC's parent-company Time Warner. Series artist Darrick Robertson was the artist who gave life to the 30th century in Warren Ellis' Transmetropolitan, and writer Garth Ennis' Preacher was one of, if not THE, best comics of the '90s. Any comic that claims to "out-Preacher, Preacher" has got my attention, but when it's actually being penned by the writer of Preacher, well, now you've got my attention.

Why I'll continue reading: What began as a gruesomely violent and silly tale about CIA spooks who keep tabs on "supes" and bust them down to size when they get out of line, has slowly been morphing into something so much more. Where Preacher was in many ways an indictment of organized religion, The Boys is an equally scathing indictment of the military-industrial complex and superhero comics. Of course, it's all in good fun, right? Wrong. Ennis makes sure to throw in some jokes now and again to keep things light (live hamster in a dead supe's ass anyone?), but after the harrowing parallels to 9-11 in Issue #21, it's becoming increasingly clear that things are going to get a lot worse in this title before they get better. I've introduced this title to at least a half dozen non-fanboy friends of mine, and that reaction is always the same: The Boy's is a must-read.







Doktor Sleepless, written by Warren Ellis and illustrated by Ivan Rodriguez

What hooked me: Anything I've already said about Warren Ellis plus this. Where The Boys promised to "out-Preacher Preacher," Ellis made no bones about Doktor Sleepless being the spiritual successor to Transmetropolitan (the other "best" comic of the 90's, apologies to The Invisibles and The Sandman), and that alone peaked my interest in this title. 10 Issues down and we've got tulpas, imagined thoughtforms materialized in the flesh, posing as people (or possibly, multiple people posing as tulpas), a sexy nurse in fetish gear with a mercenary past, designer diseases that make you bleed from the eyes and hallucinate mecha-angels, and a titular character who hasn't sleep for an entire year because he's been too busy plotting our collective doom (or salvation, depending on your point of view). 

Why I'll continue reading: Warren Ellis' backwash in an empty can of Red Bull would probably contain a great story. The man practically sweats ingenuity in storytelling (see also: Fell). Even when slumming it in the Marvel Universe for a paycheck the man is a master. His tossed off mini-series are often more thought-provoking and inspired than most of what Marvel and DC publishes each and every month. And when Warren Ellis embarks on a project that is in many ways the personified text of his personal obsessions, he doesn't hold back. This is pure, undiluted, full-on gonzo Warren Ellis, and it doesn't get much better than this. The first Doktor Sleepless trade paperback was released this month, titled "Engines of Desire," and if you haven't already been picking this series in single issues, I highly recommend that you do. 


Afterthoughts: Barely a few hours before the time of which this post had finished completion, I had a falling out with my LCS, Comic Readers, in Regina, Saskatchewan. Long story short, they fucked with my pull-list for the last time, and I've shut down my file. I will not patronize them any longer, and I do support a boycott of both locations in Central and South Regina. I guess I'll either have to buy my single issue comics online from now on, or pick them up in trades and hardcover only. Bummer. So...anyone want an incomplete run of The Boys from #7-23? No? EBay, here I come!