Thursday, October 30, 2008

"Tom Waits for No One"

I consider myself a serious fan of Tom Waits. His eccentric and eclectic take on jazz, blues, rock, mixed with his beatific vaudevillian theatricality has endeared him to me since I first discovered Rain Dogs at the tender, and impressionable, age of sixteen. When I first started broadening my teenage musical horizons, Tom Waits was among the first select group of artists to really grab my ears and give them something that they'd never heard before, wild, even a bit frightening. Other artists that fall into this category included The Pixies, Naked City, Boredoms, and The Locust. Pretty all over the place, really. Anyways, the point I'm trying to arrive at is that when I first started becoming exposed to these new and exciting musicians I wanted to know everything about them. And thanks to such sources as the All Music Guide, message boards, and informative user reviews on Amazon, I absorbed every piece of information I possibly could. These were the pre-Wikipedia days, and Google wasn't yet what it is today, and so finding a definitive list of a particular non-mainstream artist's accomplishments was, well, almost impossible. 

Keeping all this in mind, I still considered myself a know-it-all when it came to Tom Waits. So, imagine my surprise when I learned, totally by accident, that he had once starred in an animated music video! How did this slip by me?  It even won an Academy award for the animation techniques it employed. For a longtime fan like me, this was a serious discovery!

"Tom Waits For No One" was first filmed live at the La Brea stage in 1978, then later rotoscoped, an animation technique first developed by American animator Ralph Bakshi, and finally brought to life with hand-drawn animation. This is a lost classic; among the first animated music videos to debut, "Tom Waits For No One" perfectly managing to capture the beatific cool of Tom Waits in his jazzier, lovelorn, pre-Swordfishtrombones period. 

Enjoy.

Monday, October 27, 2008

Picking Apart My Process: Part I

Sometimes my head is so full of random ideas that the resulting feeling is like teetering over an abyss, falling slowly, then finding myself caught mid-air, in a breathable fluid that I could almost push my hands through to form a wave if only I had some sort of creative outlet to give shape to that rushing imaginary water. My ideas attack me, desperately crying for some sort of release. Most of the time, they're snuffed out by my own inactivity and procrastination before they ever get a chance to blossom beyond their basic concepts. On the other hand, some of my creative impulses need to be let go, as the subjects of my writing, and what I desire to write about, move further from the juvenile fantasies of my past, allowing room for more personal pieces to take root and gestate. Hopefully, these ideas will find life on a page, rather than just the messy Five Star notebook of my mind's eye.

This is an attempt to catch the creative process of my writing while the white hot lightbulb in my brain is burning most brightly.

Lately, I've been wrestling with a desire to be more ambitious. Part of that is because I want to make writing my life, or, make a living at writing. More than that though, a new need is coming from a place inside of me that wants to see myself create something tangible, a book of some kind, from start to finish. I don't want to write the next Great Canadian Novel. Absolutely not. But I do want to write. I need to write. And I need to, at some point, be able to see the printed fruits of my labors. And I haven't labored much at all over the last year. To take account of what I've written in the past, examine everything for what it was, or wasn't, worth, and build from there.

Conceptualization for this started with a simple idea: a book, roughly 90 pages in length, 45 character drawings and 45 written pages, detailing the appearances and classified desires of the people who post in newspaper personal ads. This came from an earlier attempt at a collaboration with an ex-girlfriend, a poet named Lila Zais, who was going to write page-long responses to a series of freely improvised pen and ink drawings I was busy making in Iqaluit, Nunavut. I completed a couple drawings for the project, maybe 3 or 4 in total, and one draft of a written response was finished, but nothing further ever came of the project or the idea that began it. After that relationship ended, I took a year-long hiatus from writing to rethink what it was I wanted to even write about. What could I say that someone else hadn't? Is there such a thing as originality? Or, is originality a vain attempt at what should be a matter of creating a new context in which to tell an eternal story? The reconfiguration of classic human archetypes to fit a new reality.

Personally, I believe the latter to be true. There are only so many stories to be told. However, there are SO MANY new ways you can tell them. Which brings me to my story. Initially, I didn't intend on having one. Technically speaking, since I haven't begun any of the writing of this, no story yet exists to tell. That said, I can say that when I first got the idea to begin work on what would be a major writing project, I didn't really intend there to be all that much writing involved. At the onset, my basic idea was to have a book where for every two pages one page would be a personal ad, either fictitious or actually lifted from a real newspaper. Using an actually published personal ad is legally questionable business, no doubt, but since most of these ads are so cliched to begin with I'll bet noone would ever notice in the finished project. I don't exactly expect this book will be remotely high profile. Anyways, getting back to the pages.

For every two pages, one will be a personal ad, and on the next, will be an illustration of the character who wrote the ad itself. Some of these wordsmiths will be degenerates, no doubt, and I expect that most people who are familiar with my drawing style are going to think that this is just going to be a crass art book full of trashy characters who post trashier personal ads. This isn't my intention. In fact, one thing I want to stress with the actual art of the book is that each character take on their own style: some realistic, some detailed, sketchy, vile, humorous, sad, sexy, etc. The style of the art should match the style of the character: this is something I intend to stress.

We all want to find love in this world: this I believe. These are just the people who pay by the letter to advertise it.

In the past week, since coming up with this central idea and mulling the concept over in my head, I have found what I think will be a story, told over the course of this semi-graphic novella. It's a story that recent events in my personal life have allowed me to tell, and I can't think of a better framework for this project.

The framework is: boy meets girl, boy is too timid to approach girl directly, boy advertises his affection in the local personal ads. Girl does the same.

Original, I know.

Click here to take a look at some older original artwork of mine.

Tuesday, October 21, 2008

Library Branches and Power Gloves

I'm hanging out at the Central branch of the Regina Public Library, knowing that I ought to be writing something substantial and meaningful, but, being too sleep deprived to come up with anything beyond the here and now, I'm just narrating my thoughts as they come to me. Novel idea, I know. Originally I came here in the hopes that some of my recent library holds had come in. Last week I learned that Kate had never seen either film in the Ghostbusters series (or even the cartoon, for that matter), and since it's the season for a good scaring, I placed both movies on hold. The fact that the library has such a wide selection is great for me because a) I'm trying to save money, and b) it allows me to watch some tv shows and films I can't even rent here in the city. It never ceases to amaze me just how great our catalogue is for such a small city. For instance, not only am I waiting on Ghostbusters 1 & 2, I'm also keeping my fingers crossed for copies of Dexter Seasons 1 & 2, the entire collection of Neon Genesis Evangelion, and all the episodes of Serial Experiments Lain. Who the hell works at this library that has such diverse and interesting taste? Whoever they are, I'm giving them a psychic high-five as I type this. Or at least I would, if my brain didn't hurt so much from lack of sleep and overconsumption of espresso.  

Mostly, since I came to the library only to find my holds never arrived, I've just been blowing off steam from work by watching videos of the Angry Nintendo Nerd. My friend & fellow barista Ben Bates recommended I watch his review of Top Gun, and ever since then, I've been gorging on these little odes to nerd rage. Sure, the anger part seems mostly an act, but watch this video review of the Power Glove and tell me that this ridiculous thing wouldn't make you throw a controller (or in this case, a fist) at your TV set. 


Remember that scene in the Fred Savage movie Wizard? After seeing that movie, there wasn't a kid I knew that didn't want a  Power Glove, but nobody's parents would buy it for them, and the kids whose parents were rich enough to spoil them with one were no friends of mine. And since that time, I never did get to try out Nintendo's early-Wii experiment. Now that I've seen this thing in action, I'm kinda glad I never got the opportunity in the first place. 



The Power Glove...'cause it's so bad. Frustratingly so. 

Monday, October 20, 2008

A Reassessment of Marnie Stern

I recently came across a review on Tiny Mix Tapes of virtuoso guitarist Marnie Stern's latest album, "This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That is That."  Phew. What a mouthful (mindful?). Anyways, moving on...Previously (ie: last year), I panned Marnie Stern's first album "In the Advance of the Broken Arm," perhaps unfairly, on the basis that I felt there just wasn't enough actual songwriting to sustain the record's 45 minutes of frantic fretboard wizardry. However, on reading about her new album, I couldn't help but feel that maybe I'd been too harsh on Ms. Stern. So, I decided to revisit her debut, while also digging into her latest disc.  And wow, was I ever wrong! 

I still stand by my opinion that her first album is partly a mess as far as the production values are concerned, but sweet damn are her licks hot! I'm also happy to say, "This Is It.." is every bit the improvement on it's predecessor. I haven't spent enough time with the album yet to justify a review, but I just thought I'd mention it, since both discs are definitely worth your ears attention. 

If you still require some convincing, coupled with some visual stimuli, just look below:



"Transformer" by Marnie Stern
from the Album "This Is It and I Am It and You Are It and So Is That and He Is It and She Is It and It Is It and That Is That." 
Kill Rock Stars, 2008.

I'm pretty sure Marnie Stern is on tour right now. If you're lucky enough to catch her live show, you have my envy.

Saturday, October 18, 2008

Single Issue Comics | Should I Stay or Should I Go?

Oh the agony and ecstasy of being a bonafide nerd.

My weekly comic pull list has been getting increasingly out-of-control ever since I made th
e decision to start buying single issue comics again in September of 2007, a decision prompted by the recent drop in cover price on most comics due to the decline of the once mighty U.S. dollar. All of a sudden it seemed like the Loonie was actually worth something, and local comic shops across the country were forced to begin selling trade paperbacks, hardcovers, and single issue comics at the U.S. cover price if they intended to stay in business. Now, I'm not going to get into the economics of this, what this meant for the comic industry, U.S./Canadian trade relations, blah blah etcetera, but I am definitely sympathetic to the fact that this wasn't exactly welcome news to a lot of independent booksellers and comic shops, who have a hard enough time staying in business as it is. But keeping that in mind, I can't exaggerate enough just how great this was for us true believers: the monthly readers. 

Canadian comics fans like myself have been envious of the always-cheaper U.S. cover prices for a long time, and so, with the dollar up and comics becoming more affordable than ever before (in my lifetime, at least), I couldn't resist increasing the size of my weekly pull-list to unsustainable proportions.  It started innocently enough, with the first couple issues of The Boys, The Sword, and Warren Ellis's summer blockbuster mini-series, Black Summer. Then things got out of hand, and by September 2008, my monthly pull-list had swelled to at least 17 titles.

It was around this time that it became clear to me that some titles had to be let go. 

Below is a list of six monthly titles, three of which I've decided to continue collecting, three of those I've decided to drop. Generally speaking, these titles either deserve your immediate attention or your indifference. You be the judge. These are just short, succinct capsule reviews; I'll save the in-depth stuff for later. I'll be doing more of these capsule reviews in the near future, so time will only tell which of these comics I'll keep on reading. In any case, enough rambling, onto the reviews! 

Titles I'm Dropping.

Sorry, but these three titles just aren't cutting the mustard. Or, at least, they just don't appeal to me enough to warrant buying on a monthly basis with a thinning wallet. 

Manhunter, written by Marc Andreyko and illustrated by Michael Gaydos 

What hooked me: This critically-lauded but commercially underperforming title was on it's second (third?) reboot by the time I jumped in at #31, which promised to be both a fresh start for new readers and a continuation of what came before, in an attempt to appeal to new fans while placating those who had supported the title since it's inception. That, and his work in the Brian Micheal Bendis penned "Alias" placed illustrator Michael Gaydos in a category I reserve only for artists like David Mack. In any case, picking up Manhunter seemed like a good idea at the time. 

Why I'm dropping it: This most recent Manhunter reboot started out strong with an interesting and plot in which attorney-by-day, Manhunter-by-night Kate Spencer becomes fed up with the grinding frivolity of fighting costumed villains, and decides to take action in finding out what the hell is going on with all these missing women in Ciudad Juarez, Mexico, and why no one is doing anything to solve the deaths and disappearances of more than 370 women. This plot initially drew me in, but has been dragged out over the past five issues with no clear resolution in sight, a meaningless brawl with the Suicide Squad, and more sub-plots than I care to deal with in a title I only care for in a purely platonic way. Apparently, I'm not the only one bored to tears with Manhunter's electric baton/staff thing, as the title has recently been cancelled, again, and will be put to rest with Manhunter #38. 









The Invincible Iron Man, written by Matt Fraction and illustrated by Salvador Larocca

What hooked me: One word: Casanova. Matt Fraction's schizophrenic super-spy action-adventure is among the very best comics being printed today, so anything the man comes out with next is going to catch my attention. This title came hot off the heels of both the Iron Man movie, and Fraction's ill-fated first try at a new Marvel series, The Order, so I couldn't resist dropping some coin on a copy of the first issue of his Invincible Iron Man. 

Why I'm dropping it: First of all, Salvador Laroccas heavily photo-referenced "realistic" makes human beings look so greasy that I don't want to touch the already glossy pages. I've already showered once today Salvador, why do you insist on making me shower again? Secondly, this is a good Iron Man story, but that's just it, Fraction isn't just a good writer, he's a great writer! He could be the next big name in comics! Sorry, but good just doesn't cut it when it comes to Fraction, as far as I'm concerned, and his status quo Iron Man just can't sustain my interest or my desire to pay money for this. Next up: Iron Man vs. Spider Man! Yawn... Call me when Kang shows up to the party, or Joe Casey pens another Iron Man mini-series.













Gravel, written by Warren Ellis and Mike Wolfer, illustrated by Phil Jimenez 

What hooked me: More than any other working comic scribe in the business today, Warren Ellis is a writer who I feel I can trust. If I were to list many of my favorite titles of all time, and you'd find a great deal of them (Transmetropolitan, Planetary, et al) with his name on them. And for that reason alone, I buy pretty much everything new with his name on it. Also, Ellis' work for Avatar Press is generally less creatively restricted, and he's given a level of creative freedom which allows him to express highly controversial ideas that neither Marvel or DC would touch with a 60-foot pole (see: Black Summer). Time and time again, Ellis' wanton creative abandon has resulted in original works that push the boundaries of what can (and should) be conveyed in a funnybook. That is, until Gravel. 

Why I'm Dropping It: 
Once again I buy into a new series from a creator whose work I follow only to find that it doesn't quite live up to that creator's usual standards. 
Sorry, but there is just no way that "Combat Magician" Sgt. Major William Gravel even remotely measures up to previous Ellis character creations like Spider Jerusalem or Elijah Snow. That, I get a terrible feeling of deja vu with each issue of this comic. I'm sure Ellis will buck the trend and throw a creative curveball in here somewhere. But so far, the repetitive grind of Gravel vs. a string of weak-sauce sorcerers who pose no real threat to an unlikeable anti-hero is just, well, bollocks. Sorry Ellis. 









Titles I'll Keep Reading (To the Bitter End). 

The following three comics are, IMHO, among the best single issue comics being published in today's market. If you really trusted my opinion, you'd quit reading this and start picking up back-issues now. For those of you who need a little more convincing: proceed.

The Sword, written and illustrated by The Luna Brothers

What hooked me: The Sword is the story of Dara Brighton, a young paraplegic college
 student who life is destroyed when her family is murdered by a mysterious trio of demi-gods demanding the return of an ancient sword. Dara is left to die in the burning wreck of her family's home, until the floor collapses beneath her, and she finds herself in a room she never knew about, and a sword she'd never seen before. The Sword magically heals Dara's broken vertebrae, and she begins her quest for vengeance. 

Why I'll continue reading: The Luna Brothers first burst onto the comics scene illustrating Bendis' "Spider-Woman" mini-series for Marvel, but it was their creator-owned survival horror drama, Girls, that put The Luna Brothers on my radar. Girls was my favorite ongoing series of 2006 and 2007, so when the opportunity to start in at the very beginning of a brand new original series came along, I jumped at the chance. Issue #13 is on it's way, and The Sword has yet to disappoint. In fact, The Sword is promising to be The Luna Brothers best work to date: a dramatic and emotionally charged revenge story, and in my estimation, an examination of mankind's endless cycle of violence and hate. 













The Boys, written by Garth Ennis and illustrated by Darrick Robertson

What hooked me: Nevermind the premise, what really got me into this title was that it was so badass and edgy that the suits at DC Comics' upper management got hot under their collars and cancelled it, leading to a massive bidding war amongst the smaller comics publishers, resulting in what is probably a better book than it ever could have been under the watch of DC's parent-company Time Warner. Series artist Darrick Robertson was the artist who gave life to the 30th century in Warren Ellis' Transmetropolitan, and writer Garth Ennis' Preacher was one of, if not THE, best comics of the '90s. Any comic that claims to "out-Preacher, Preacher" has got my attention, but when it's actually being penned by the writer of Preacher, well, now you've got my attention.

Why I'll continue reading: What began as a gruesomely violent and silly tale about CIA spooks who keep tabs on "supes" and bust them down to size when they get out of line, has slowly been morphing into something so much more. Where Preacher was in many ways an indictment of organized religion, The Boys is an equally scathing indictment of the military-industrial complex and superhero comics. Of course, it's all in good fun, right? Wrong. Ennis makes sure to throw in some jokes now and again to keep things light (live hamster in a dead supe's ass anyone?), but after the harrowing parallels to 9-11 in Issue #21, it's becoming increasingly clear that things are going to get a lot worse in this title before they get better. I've introduced this title to at least a half dozen non-fanboy friends of mine, and that reaction is always the same: The Boy's is a must-read.







Doktor Sleepless, written by Warren Ellis and illustrated by Ivan Rodriguez

What hooked me: Anything I've already said about Warren Ellis plus this. Where The Boys promised to "out-Preacher Preacher," Ellis made no bones about Doktor Sleepless being the spiritual successor to Transmetropolitan (the other "best" comic of the 90's, apologies to The Invisibles and The Sandman), and that alone peaked my interest in this title. 10 Issues down and we've got tulpas, imagined thoughtforms materialized in the flesh, posing as people (or possibly, multiple people posing as tulpas), a sexy nurse in fetish gear with a mercenary past, designer diseases that make you bleed from the eyes and hallucinate mecha-angels, and a titular character who hasn't sleep for an entire year because he's been too busy plotting our collective doom (or salvation, depending on your point of view). 

Why I'll continue reading: Warren Ellis' backwash in an empty can of Red Bull would probably contain a great story. The man practically sweats ingenuity in storytelling (see also: Fell). Even when slumming it in the Marvel Universe for a paycheck the man is a master. His tossed off mini-series are often more thought-provoking and inspired than most of what Marvel and DC publishes each and every month. And when Warren Ellis embarks on a project that is in many ways the personified text of his personal obsessions, he doesn't hold back. This is pure, undiluted, full-on gonzo Warren Ellis, and it doesn't get much better than this. The first Doktor Sleepless trade paperback was released this month, titled "Engines of Desire," and if you haven't already been picking this series in single issues, I highly recommend that you do. 


Afterthoughts: Barely a few hours before the time of which this post had finished completion, I had a falling out with my LCS, Comic Readers, in Regina, Saskatchewan. Long story short, they fucked with my pull-list for the last time, and I've shut down my file. I will not patronize them any longer, and I do support a boycott of both locations in Central and South Regina. I guess I'll either have to buy my single issue comics online from now on, or pick them up in trades and hardcover only. Bummer. So...anyone want an incomplete run of The Boys from #7-23? No? EBay, here I come!

Same blog, new name, now with more ninjas!

I've recently decided to rename this page from christianislefthanded.blogspot.com to hyperbolicattack.blogspot.com. I realize, that since no one is really reading this, that's probably pretty inconsequential. Even so, I felt like this blog's original title was too personal and not really indicative of anything, other than the fact that I am left-handed, and therefore, not to be trusted. 

And so, in the spirit of trivial things, I give you: the Algorithm March!  With ninjas!!



I'm fully aware that I'm way behind the times when it comes to wacky shit on YouTube, but all the same, I can't get enough of this. This video is the personification of what has always attracted me to Japanese pop culture (see also: Katamari Damacy Cosplay). 

"Take one step forward and you're a better person."

Awesome. Just awesome.

Sunday, October 12, 2008

Clean Breaks and Fresh Starts

So, first things first: it's been years since I've posted anything on this blog. Literally. I think the last post I made on this page was in early 2006. That's nuts! My girlfriend Kate rediscovered it by googling my full name on a whim, and I'd completely forgotten about my first attempt at a regular blog. An attempt I made in lonely Iqaluit, Nunavut, so many summers ago. 

Well, summer is long gone, and apparently fall is on its way out too. It's winter now. Officially, I'm not sure when the first day of winter is. Is there such a day? In any case, the first snowfall of the year is coming down pretty hard outside, and that's official enough for me! 

I'll be the first to admit, this post has been a more than a little scattershot, but I haven't got a lot of time to write, since Kate will be on her way to pick me up from Atlantis Coffee, where I work, any minute now. That being said, I've made a resolution to regularly post online again. However, as a twist of fate, I've now lost access to my former blog, Heavy Vibes, so any future posts of mine will appear either on this page, or on a newly designed blog. I haven't quite decided yet. The gears are still turning.